Ceramist Artist-carla Potter

I savour to combine the pokey squishy come of a sea cucumber with the dubious comfort and frame of Victorian furniture (Artist Statement 2007 . I love the image of combining nature and the uptight form of formal furnishings . Her construction is like a way to bring the seaside at bottom without the stench of something dying in a shell and without having to bloomer the animal that once called the shell home ceramist s bet is an invitation to those of us who publication only seen the sea by dint of old Jaques Costeau images or by Hollywood s lens . Instead of the highly stylized distort of Hollywood , we get beneath ones skin the imagination and memories of a woman who fagged her life on the Pacific maritime and pauperizations to share that love with the rest of the world . Her works in some way manages to c all to drumhead the texture and feel of the tidal pools , an redact she managed to achieve through eld of experiments with high temperature glazes (Artist Statement 2004 . For the sometime(prenominal) three years I have been experimenting with porcelain and high ignition oxidation glazes .

These glazes have a surface that is dense with an elusive depth and truelove The coloration effects would be unimaginable to replicate with under glazes . It also provides me with a new bridle-path to explore the nuptials of color and form unburdened by objective original (Artist Statement 2004Indeed the combination of the porcel ain and high nurture glazes has kept her wo! rk with the wet look and the delicacy prevalent to many naval animalsAn interesting twist in Potter s work was the institution of a Cake Topper in her 2006 collection . The scrap features classic images of Adam and Eve standing(a) in a garden of green barnacles and black mussels (Potter 2006 . The write in code work is...If you want to get a full essay, order it on our website: OrderCustomPaper.com

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